Free MultiTrack: I Wanna Thank You Jesus

The free MultiTrack for January is a brand new track to us called I Wanna Thank You Jesus by Shawn Thomas. It comes with a free chord chart.

I Wanna Thank You Jesus is an up-tempo gospel style congregational song with simple lyrics and includes a call-and-response section in the bridge. This song is sure to have hands waving and lifting up praise.

Please remember to report when you use this song in church. It is CCLI Song # 7090056.

Shawn Thomas is a Christian singer/songwriter and worship leader based in South Florida. He began his production and recording training in 1990 under Jeff Peters of Chateau Productions (Dallas/LA), and later graduated from Middle Tennessee State University with a BA in Music Industry and Recording Industry Management. He has been a voting member of the Grammy National Academy of Recording Artists and Sciences, and is a writer/publisher member of ASCAP and CCLI. Shawn is a Pride in the Arts Awards recipient for Producer of the Year.

Shawn is the producer behind our most recent batch of MultiTracks. It’s great to also be able to include one of his own songs in our repertoire.

The song comes with the original WAV files for use in a DAW such as Ableton, and Transition Tracks for Worship Backing Band’s Mac/PC or iPad Transition MultiTrack Player. MultiTracks are the simplest and least expensive solution to get a full band sound from your worship team, even if you’ve only got a couple of musicians.

10 huge new MultiTracks and Split Tracks

Brand new release of 10 huge new MultiTracks and Split Track backing tracks.

Listen to audio samples from each song in the video below.

As always we’ve tried to ensure the songs are suitable for congregations to sing whilst retaining all the essential elements of the original or popular arrangements. Here’s the info about our approach to each song:

  • The Same Jesus – Matt Redman
    A fun up-tempo praise song from well-known worship leader and songwriter, Matt Redman. This contemporary style song arrangement is a step lower than the original key for easy congregational singing.
  • Graves Into Gardens – Elevation
    Originally written and recorded by worship leader, Brandon Lake, this powerful worship anthem will bring your congregation to their feet and singing at the top of their lungs in praise. This arrangement has been transposed down from the original Elevation Worship Live version to better fit congregational voices.
  • The Blessing – Elevation
    A congregationally friendly arrangement and key of the popular worship song from Elevation Worship, Kari Jobe, and Cody Carnes. Features a simplified melody demo and a shortened song length from the original.
  • Your Name is Power – Rend Collective
    This is a key-friendly arrangement both for instruments and congregational singing, while still following the driving up-tempo feel of the original version.
  • Another in the Fire – Hillsong
    This arrangement is based on the “Studio” version from Hillsong UNITED featuring TAYA. The musical arrangement follows the original closely, but includes a simplified melody demo making it easier for a congregation to follow.
  • The Way (New Horizon) – Pat Barrett
    This arrangement of Pat Barrett’s “The Way” is closely based on the original, even keeping the same congregationally friendly key.
  • The Father’s House – Cory Asbury
    From the same songwriter who wrote and recorded “Reckless Love,” this new Bethel Music Collective song has been a hit on Christian radio, and will be a great addition for your worship team or as special music.
  • Battle Belongs – Bethel
    This song is another huge hit by Christian singer songwriter, Phil Wickman and is sure to be a staple praise song along side his well-known song, “This is Amazing Grace.” The arrangement has been transposed to fit most voices, but stays true to the original recording.
  • Raise a Hallelujah – Bethel
    This popular praise song works great as a “call and response” song between male and female vocals. The arrangement follows the original closely, but is in a more congregationally friendly key.
  • Way Maker – Leeland
    Way Maker has been recorded and arranged by a multitude of artists including Michael W. Smith and Mandisa. This arrangement is based on the Leeland version, but has been shortened slightly and transposed for better congregational singing.

About the musicians behind these tracks

For this batch of backing tracks we’ve been working with a US-based producer, Shawn Thomas. They’ve got a more American feel to the sound and we are delighted with how they have come out. Read more about the musicians below.

Shawn Thomas Studios – (vocals, instruments, production)

Shawn Thomas is a Christian singer/songwriter and worship leader based in South Florida. He began his production and recording training in 1990 under Jeff Peters of Chateau Productions (Dallas/LA), and later graduated from Middle Tennessee State University with a BA in Music Industry and Recording Industry Management. He has been a voting member of the Grammy National Academy of Recording Artists and Sciences, and is a writer/publisher member of ASCAP and CCLI. Shawn is a Pride in the Arts Awards recipient for Producer of the Year.

Shanti Lashae – (vocals)

Shanti is a Christian/inspirational singer/songwriter whose talents also include playing drums and guitar.

Brian Ladd – (vocals)

Brian is a powerful vocalist with decades of service as a worship leader and pastor in various South Florida congregations.

Free MultiTrack: Emmanuel Advent Hymn

The free MultiTrack for December is Emmanuel.

This is a terrific new Advent hymn with great melody, lyrics and very congregational. Perfect for your Christmas services.

It even comes with the chord charts and score all free of charge! The harmony parts are even included in the chord chart pack.

Emmanuel is written by Matt Weeks who as well as being a producer, song writer and bass player for many of the best known worship leaders around the world, teaches all Musicademy’s bass lessons and is the bass player on many of our backing tracks.

Unless you are confident with using a DAW such as Ableton, you will need a copy of Worship Backing Band’s Mac/PC or iPad Transition MultiTrack Player to play the backing track. MultiTracks are the simplest and least expensive solution to get a full band sound from your worship team, even if you’ve only got a couple of musicians.

Using Worship Backing Band for Livestreaming Songs

Our Split Tracks whether individual download or our compilation DVDs are perfect for use in your livestreams.

Split Tracks are low cost MP4 backing tracks that come with onscreen words as well as music and vocals (most backing track providers do not include vocals which is a bit of a struggle when you are trying to lead online worship with them!)

You will therefore not need to use Easy Worship or some other method of sharing the song words when you are using Split Tracks.

All you do is load the computer that is hosting the service with the songs you want to do (you can use iTunes, VLC or any other free media player), share the screen in your streaming software (eg Zoom) and then hit play. Your song will start and your online congregation can sing along (it’s best if they are muted as none of the online platforms really cope very well with everyone singing or speaking at the same time).

You can even embed Split Tracks into Powerpoint (just Google how to embed an MP4).

Do ensure that the settings on your broadcasting platform (Zoom or similar) are set to share the computer’s audio.

What about licensing?

We are being inundated right now with questions about permissions for live streaming using our MultiTracks and Split Tracks.

As Worship Backing Band we are very happy for you to use our tracks for live streaming. We simply ask that you provide a link on your website to by way of recognition that the tracks are ours.

BUT please be aware that Worship Backing Band is not the song writer or ‘publisher’ of the songs. We have simply re-recorded them. Whenever we sell as track we pay a license fee ourselves (this is generally 20% of the retail fee) to the publisher who then passes a percentage of that to the song writer. This is explained in this article.

Use of our tracks in real life

For use live in church you simply need a Church Copyright License from CCLI and you report the song use just as you would with a live band.

Use of our tracks for live streaming

CCLI has a streaming licence (US link) (UK link) which you are likely to need to live stream any worship whether using our backing tracks or not. So please ensure you are compliant with that. CCLI has different offices in different countries as the law is different depending on where in the world you are. Do ensure you are looking at your local CCLI website.

Our understanding is that for services such as YouTube, the host (YT) has sophisticated scanning technology that scans any audio and allocates any ad revenue from your broadcast to the appropriate publisher for non live-streamed content. But if you are streaming on YouTube you will need a CCLI license (please check with CCLI). Facebook Live does tend to cut off live broadcasts when a copywritten song is played that the FB Page in question does not own (although it does not seem as good as YT at recognising worship songs). We are still not clear how your CCLI Streaming License is known about by Facebook so do be aware of these potential pitfalls with FB Live.

If you are using Zoom or hosting YouTube videos on your website (and you are in the UK), you will need a PRS license. This article from CCLI explains more.

Further information from CCLI on licensing, including their Streaming License is available here.

Please also provide a link on your website to in order to credit us for the tracks.


Free (New) MultiTrack: Praise Him Hallelujah

This month we have a brand new MultiTrack for you that’s not previously been in our song library. It also comes with a free simple chord chart.

The song is Praise Him Hallelujah by singer songwriter Adriane Blanco.

Adriane fuses the sounds of Rock, Americana, and the British Invasion as the musical foundation for his lyrics and melodies. Adriane grew up in Arizona, in a mixed family of Mexican and American heritage, listening to the folk music of both cultures and the music of his father’s favorite band, the Beatles. He was trained as a singer in the Phoenix Boys Choir and in college, he learned to play piano and guitar, and studied worship and songwriting. He is a worship pastor and producer, and is involved in production efforts for several independent artists, focusing on encouraging younger artists and budding songwriters.

The song is totally free to download during November. This MultiTrack is only formatted for our Transition Player rather than other DAWs (which will work with all our paid-for tracks).

You will need a copy of Worship Backing Band’s Mac/PC or iPad Transition MultiTrack Player to play the backing track. MultiTracks are the simplest and least expensive solution to get a full band sound from your worship team, even if you’ve only got a couple of musicians.

Free MultiTrack: God of Justice (We Must Go)

The free MultiTrack for October is God of Justice (We Must Go) by Tim Hughes from the album Holding Nothing Back. It’s a beautiful song to sing especially in these troubling times prompting us to think beyond our own situations. It is also pertinent in this season (in the West at least) of Harvest.

The song is totally free to download during October. There is also an EveryKey Chart available for purchase with this song that fully matches the Worship Backing Band song structure with all the correct chords used int he recording.

Unless you are confident with using a DAW such as Ableton, you will need a copy of Worship Backing Band’s Mac/PC or iPad Transition MultiTrack Player to play the backing track. MultiTracks are the simplest and least expensive solution to get a full band sound from your worship team, even if you’ve only got a couple of musicians.

The pros and cons of using backing tracks in worship

Technology in worship is here whether you like it or not and if embraced it can serve as the paint brush to create new sounds.

In the last century technology has driven and redefined the music we make. From electric guitars and keyboards to recorded elements from synths, decks and loops all integrated into live music.

When it comes to live worship music, the introduction of the drummer’s click track transformed the sound of worship songs. And the wheel has turned again with backing and multi tracks used alongside, or instead of, live worship bands.

Even churches with lots of musicians use backing tracks.

And even big secular bands use tracks during live performance. That doesn’t mean that they are miming. It is simply because they cannot achieve the full sound they want with a limited number of musicians. An album track may have multiple guitar and keyboard parts on it – far more than a single guitarist or keyboard player can manage in a live setting.

In a church context it is not just smaller churches with missing musicians that use tracks to fill out the sound, there are plenty of churches with full compliments of musicians using tracks to produce more of an ‘original album’ sound that simply can’t be recreated with a 5 or 6 piece band.

I talked to worship leaders about their experiences of working with backing tracks (you can see the original conversation thread on the Musicademy Facebook Group). Here is what I found.

Mark Snyder, a song writer and the software developer behind Worship Backing Band’s Transition MultiTrack Player, says that worship tracks can help your team get better “it is like how a strong choir member can help the weaker ones sing better”.

Kent Wade has been the Pastor of Worship at The Chapel EFC in St Joseph MI for 18 years. He says that the experience of playing to a click has been a game changer, especially for less experienced musicians. “When you add a track to the live band, not only does everyone play ‘in the pocket’ better, but the supplemental parts help the band sound more full as well.”

Kent says that the only problem is when the worship leader misses an entrance or does something different to the track such as cutting an instrumental bridge in half. He says that “It’s then that we have to kill the track, listen extra hard to stay together, and follow the chart to the end.”

But Jonny McGeown, a worship leader from Belfast, Ireland has found that with tracks mistakes are minimised and the congregation less distracted from worshipping and tracks have helped improve musicianship. He implemented a move to in-ears and the use of tracks and said that “Understandably, my fellow volunteer musicians took some time assimilating click as they played for worship – but each of them has become more aware of ensemble and has improved both their technique and musicianship”.

Don Dickson, a worship leader in Chesham, UK says they primarily use backing tracks as practice tools to hone playing skills and also learning a new song finding that the jump to a segment feature is much better than searching a recording. For live performance he says that “If only a small number of musicians is available then just adding a core instrument such as bass or drums can be just what is needed”.

Dwane Woodard from Alabama feels that churches should be wary of relying on technology. “There is a difference between having an acoustic guitarist on stage and having the support of an entire invisible band, vs having a full band on stage and supplementing keys and percussion.”

I spoke to Richard Fletcher who admitted to being something of a sceptic on the use of tracks. He was concerned that tracks would mean in-ears were required – which had resource implications. He was also worried about the level of technical knowhow required to run the software as well as fearing a loss of flexibility when being “beholden to playing it as on the backing track”.

Changing perceptions about MultiTracks

Richard’s comments are interesting as they reveal a lot about people’s perception of backing tracks. Perceptions I’d gently want to challenge.

  • Firstly you don’t need in-ears to use tracks well. The band just need to be able to hear the click and vocals in their foldback monitors so that they can follow.
  • You don’t need to master complex DAWs such as Ableton. The proprietary software solutions including our own Worship Backing Band MultiTrack player are super easy to use.
  • And finally flexibility is not lost as you can loop and repeat song sections, transition from song to song, fade, change key and tempo. For sure it’s not the same as a fully live band but it is far from the karaoke-style bouncing ball that many people think.

The pros of working with MultiTracks

So to summarise some of the pros of working with backing tracks:

  • A full sound regardless of how many musicians you have or conversely a stripped back sound for an acoustic feel
  • An improvement in the professionalism of the music you make – fewer mistakes, consistent timing, a tighter sound and a more confident team
  • MultiTracks are great practice tools as you can solo your own instrument part and learn how a pro would play it also great for playing along with new songs
  • Access to the full range of worship songs including those too tricky for your musicians (or Doris on the organ) to play
  • Backing tracks for when your musicians are away or when you simply want to give them a day off to enjoy worship from the other side of the congregation
  • You get a “nearly live” feel and if you have musicians playing alongside them most congregational members will simply not be aware that a track is also playing
  • Some congregation members may not like the idea of musical accompaniment without being able to see the musicians
  • The play list (which you plan in advance) automatically cues up the next song which is ready to play with a single click

The cons of working with MultiTracks

On the downside:

  • There is often resistance to the concept of using tracks. People can feel that a motley crew of not-very-able musicians is preferable to pre-recorded music
  • There is a financial outlay for the tracks. Depending on your source of tracks you are paying from $17 a track for Worship Backing Band (reduced to $10 when you buy in bulk) to a monthly subscription of up to $100 a month with other providers (where you don’t get to keep the songs)
  • You’ll need a mac, PC or other mobile device loaded with the software and songs plus someone to operate the software
  • Your musicians will need to get used to working with a track – this can be quite a challenge for those whose timing is less than perfect but they will certainly learn to listen better and often find that their own musicianship improves
  • Song key changes beyond a tone or two can sound unnatural
  • Computers can crash and you lose your track mid service

Things to consider

And some caveats:

  • Prep is essential to get the instrument mix right for your setting
  • The worship leader in particular needs to know the song, syncing with the track and know the junction points if s/he is going to use the looping function
  • Congregational perceptions can change. When I first mooted backing tracks at my small local church people were horrified. Within a couple of songs they were converted.

What alternatives are there to MultiTracks

MultiTracks are not for every church. And for those without any musicians (and very limited budgets), Split Tracks may be a better alternative.

Split Tracks feature fully adjustable vocals and on-screen lyrics that change in time with the music. They are the simplest to use and lowest cost alternative to MultiTracks.

Split Tracks are available from Worship Backing Band on compilation DVDs and also as individual downloads.

12 new kids worship songs available as MultiTracks and Video Split Tracks

We’ve partnered up with kids worship duo Awesome Cutlery to bring you 12 new kids backing tracks in our MultiTrack and video Split Track format.

Rather than the usual plain black backgrounds with our Split Tracks, the Awesome Cutlery ones are kids-friendly with lots of fun graphics.  When you go to the tracks on the Worship Backing Band webstore you can also listen to a 30 second audio sample of the track before you buy. Watch the compilation video below:

Check out the video below for an example of one of the songs. When you purchase the Split Track you will also get the lyric video bundled with the split track audio. Each track has a downloadable lyric sheet included.

Awesome Cutlery is named after Captain Awesomeness and Cutlery Boy, two wannabe superheroes who appear in sketches on the Awesome Cutlery albums, as well as in their live shows.


In real life, Awesome Cutlery is Gareth Loh and Dan Adams. They are both dads, church pastors and dubiously-skilled superheroes. The Awesome Cutlery songs began life as songs they wrote to sing with their children and in kids’ ministry. Since then they have released two albums and seen their songs used all over the world.


Awesome Cutlery exists to help families worship Jesus together. Their songs are designed to be sung by all ages, and this specially-selected catalogue from their two albums has been put together for use in churches. The songs cover a host of topics, including the church, prayer, God’s word, the great commission, God’s eternality, and Jesus’ return, all in a way that that everyone can sing and enjoy.

The song list (click for links to buy) is:

Find out more about Awesome Cutlery on their website.

Using the download code to load songs to the Transition Player

We have introduced a new way to download MultiTracks to our Transition Player for Mac/PC and iPad.  This was mainly introduced because of problems that iPad users were experiencing in downloading.  However, it is a much quicker and easier way to get tracks into the Library for all users of the Transition Player whether it is for Mac, PC or iPad.

The video below explains how this works. Alternatively read the text and look at the screen grabs in this article.

When you now purchase a track you will see on your order confirmation a download code underneath the track name. To use the new method firstly, check you have the + sign next to the Library button in the Player. If not upgrade your Transition Player:

  • Mac/PC
    Log into your account and go to My Downloadable Products. Find the download links for the MultiTrack Transition Player. Click to download to Mac or PC and go through the same installation process as when you first purchased the Player. This will update the Player to the newest version without effecting any of the tracks already in your library.
  • iPad – go to the App store and redownload the App (this may happen automatically). You will need IOS 10 or newer to be able to access this update. If you do not have IOS 10 because you have an older model iPad you can continue with the older version of the Player but will not be able to download using the track codes (see the bottom of this article for how to download the older way).

Downloading using the Code:

The new version of the Player will have a + button next to the Library .

How to download tracks using the download code 1

Click on the + And the Download code pop up will appear.

How to download tracks using the download code 2

Click on “Enter Code From Provider” and type in the numbers from your order confirmation. You can use the keypad pop up or the numbers on your keyboard and then press Enter.

The song that you are downloading will appear and the Download button will appear next to the Cancel button. If you key in the incorrect code you will get a Code Not Recognized message. Just key in the correct code.

How to download tracks using the download code 3

Click on Download. As the track downloads you will see a green progress bar on the song name and then you will get the message that the song has been added to the Library.

How to download tracks using the download code 4

Click on the cancel button to move back to the Player interface.

Previous method (and workaround for older iPads)

You can still sign into your account and go to My Downloadable products to download your track manually as you have previously. However, using the codes is a much quicker and more direct way to download.

Ipad users using this older method will have to first download to a Mac/PC. Log in to the iCloud Drive account on the Mac/PC which is associated with the iCloud Drive account used on the iPad. Add the track to the Worship Backing Band folder in the iCloud Drive Folder. This will then sync with your iPad and the track will automatically be added to the Library.

What about older purchases?

If you purchased MultiTracks some time ago (prior to the release of the Transition Player) you will need to pick up the Transition version of those songs.

What you will need is the email address you used to purchase the old MultiTracks.

Click here to log in and pick up those songs as Transition tracks free-of-charge.

With these older purchases the download code will not appear  so you will have to use the previous method / workaround described above.

Free MultiTrack: You (Bigger Than The Air I Breathe)

The free MultiTrack for July is You (Bigger Than The Air I Breathe) by Tim Hughes with co-writers Rob Hill and (Musicademy guitar tutor) Jon Mann Smith. It’s totally free of charge during July. There is also a Super Chord Chart to go with the song.

Super Chord Charts exactly follow our MultiTrack version of the song and even include a groove guide and strumming pattern. Unlike our newer Every Key Chord Charts, Super Chord Charts are normally in a single key (in this case A). The song is split into sections, there are full lyrics as well as bar lines and the correct guitar chords.

Unless you are confident with using a DAW such as Ableton, you will need a copy of Worship Backing Band’s Mac/PC or iPad Transition MultiTrack Player to play the backing track. MultiTracks are the simplest and least expensive solution to get a full band sound from your worship team, even if you’ve only got a couple of musicians.